Theological Animation
Ched MyersTheological Animation: Part Two | About Ched | Ched's Curriculum Vitae
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About Theological
Animation: Part One
Over the past ten years I’ve traveled around North America and abroad in pursuit of this vision. I have moved among a wide cross-section of faith-based groups and parishes teaching, listening, challenging, encouraging and networking. I have developed a holistic pedagogy of “theological animation” that integrates the disciplines of popular education, evangelism, political organizing, pastoring and theological reflection.
At the center of my approach is the practice of relectura: a “rereading” of the Bible in light of concrete struggles against violence and oppression. I believe that the Judeo-Christian tradition of sacred story is older and deeper and wiser than we are, and that it has the power to transform our lives and our history. But only if we can overcome its domestication under the dominant culture. Our churches – conservative and liberal alike – are often inhospitable to the gospel’s invitation to the cross, to solidarity with the least, and to Sabbath Economics. Our task is thus to rebuild literacy in which the Word and world are brought to bear on each other at every turn.
When and wherever this has happened throughout the history of the church, communities of discipleship, creative celebration, healing and solidarity with the marginalized have been created or re-created. The same holds true for our time. I have heard from participants countless times exclamations such as these:
“Why haven’t we heard this before in
church?”
"I’ve been waiting my whole life to encounter this gospel!”
“I’ve long suspected there was more in that text than I was being told!”
"I’ve been waiting my whole life to encounter this gospel!”
“I’ve long suspected there was more in that text than I was being told!”
Such responses express at once both frustration and hope, and indicate how hungry our people are for an integrative approach to faith and politics.
My work has three goals:
- To recover the vocation of evangelism grounded in
Jesus’ call to radical discipleship, engaging
communities of faith across the ecumenical spectrum in
critical conversation about the shape of discipleship
today.
- To help rebuild a movement of faith-based witness for
peace and justice by supporting, encouraging and
interconnecting diverse local, regional and national
expressions of faith and action.
- To promote and nurture biblical literacy and social analysis among Christians by helping groups re-ground their perspectives in sacred stories and discern how those visions can be embodied in our contemporary contexts.
Read more on how I do my work.
To invite Ched to work with your community please email us.
About Theological Animation: Part Two
One of the cultural founts from which I draw inspiration is early American animation. Years ago my brother Grob turned me on to the work of cartoonist Max Fleischer, whose animated short features pre-dated (and profoundly influenced) Walt Disney. I am particularly drawn to his "Out of the Inkwell" series. There were two very cool things about Fleischer's pioneering animated filmmaking.
For one, his cartoons rolled to jazz music--at a time jazz was still very much edgy and underground. This manic, free music cohered perfectly with Fleischer's rubbery, weird Vaudevillesque cartoon characters (especially Koko the Clown, pictured above). Jazz also fit with Fleischer's non-agonistic, non-linear stories. That is, there were no good guys or bad guys, and no plot crises in this fabulated toon-world; just characters bumping along to the music, doing random things and having a good old time. Theologically speaking, then, this early art form represented a sort of utopian dreaming, the imagining of a world in which characters never die or suffer, but do alot of laughing and dancing. (Fleischer invented the time-honored cartoon convention in which characters bounce right up from any and all toon-mayhem.) A vision, in other words, of heaven.
No accident perhaps that Fleischer and many of his colleagues were Jewish immigrants: they were, like the jazz players they were drawn to, brilliant artists marginalized by racial-ethnic codes. I think of their early cartoons as midrash on America, reflecting a longing for life-after-transfiguration: goofy, happy, all good.
Any theology that loses sight of that sort of mystical vision of the world-as-it-should-be cannot hope to struggle for redemption in a all-too-real world that could not be further from a Fleischer cartoon. And that's why I strive to practice theological animation.
About Ched Myers
Ched holds a Bachelors degree in Philosophy from the University of California at Berkeley (1978) and a Masters degree in New Testament Studies from the Graduate Theological Union (1984). He has served as adjunct faculty at Memphis Theological Seminary, Fuller Theological Seminary and Claremont School of Theology (where he was the 1998-99 Fellow in Urban Theology). Other schools at which he has recently taught include: Ecumenical Theological Seminary (Detroit), the Seminary Consortium on Urban and Pastoral Education (Chicago), Maryknoll School of Theology (New York), Loyola University (Chicago), Virginia Theological Seminary, Phillips Theological Seminary (Oklahoma), Pacific School of Religion (Berkeley), Toronto School of Theology, Vancouver School of Theology, Churches of Christ Theological College (Australia) and Tamilnadu Theological Seminary (India).
Ched’s books include: Binding the Strong Man: A Political Reading of Mark's Story of Jesus (1988), Who Will Roll Away the Stone: Discipleship Queries for First World Christians (1994), and Say to This Mountain: Mark’s Story of Discipleship (1996, co-authored), all published by Orbis Books. He writes regularly for Sojourners and The Other Side magazines, and has published more than 100 articles and essays in those and other periodicals in the U.S., England and Australia. He also works with other writers and publishers as an editor and manuscript evaluator.
Ched travels throughout North America and abroad giving seminars and retreats, teaching, preaching and facilitating gatherings. He works with Catholic, Protestant and Anabaptist parishes and diocesan/denominational offices, as well as with ecumenical organizations. He is particularly committed to faith-based peace and justice efforts such as Christian Peacemaker Teams, Borderlinks, the Catholic Worker movement, Witness for Peace, and the Servant Leadership Schools.